CEMI Media

Business profile

Value proposition. Cinematographic video and interactive digital experiences at agency-grade quality with tool-grade economics: offered at roughly half the cost of conventional production and a third of the time, with total control — a piece stays adjustable after delivery — and native multilingual output from a single production. A named human director is accountable for every frame. The cost and time figures are the terms on which the work is offered, not a measured comparison.

Problem. Video is the format every brand needs and the one most cannot afford at the volume they need it. Conventional production runs $10K–$100K+ per project on four-to-twelve-week timelines, which works for one flagship campaign a year and not for brands that need dozens of pieces, in several languages, across several markets, refreshed continuously. Mid-market organisations therefore under-produce: they publish less than their strategy requires, and what they publish is compromised.

Competitive advantage. Not a tool and not a price point, but CEMI MediaMax — an augmented human–AI production framework built, trained and refined in-house across real client work: codified five-phase workflows, 40+ purpose-trained agents across production disciplines, purpose-built applications and a production knowledge base that compounds with every project. Conventional producers add AI at the edges; AI-first shops have no production discipline. The framework cannot be licensed from anywhere, and the delivered work that proves it is public.

Community value. Production capacity that mid-market organisations, public institutions and cultural projects could not otherwise afford, in their own languages rather than through dubbing — and, through the Media Innovation Lab and the Masterclass programmes, capability handed to presenters, journalists, producers and students rather than kept in-house. Work is published and attributable, and the human direction behind it is named, so the standard the sector is held to rises with it.

Solutions

• Retained monthly production programmes — A contracted volume of video and digital content each month, produced through the CEMI MediaMax framework under a named human director. Published range: US$5K–$25K/month. · cemi.media/investors/revenue/
• Project production — Campaigns, brand films and one-off productions, sold directly or executed behind an agency that keeps the client relationship. Published range: $5K–$50K. · cemi.media/portfolio/
• Live AI events — Digital hosts, conversational avatars, interactive agendas, live segment summaries and same-day video recaps for conferences and seminars. Priced per event, scoped. · cemi.media/events/
• Interactive digital experiences — Multilingual sites, simulations and data visualisations built with the same framework discipline as the video work. Price on request. · cemi.media/webs/
• Owned music catalogue and AI casting — An owned, royalty-free music catalogue and a roster of original digital characters, castable individually or as groups, with no talent fees or rights renewals. Sold inside productions; no standalone price is published. · cemi.media/music/
• Original music for productions — Original scores, jingles and sound identities composed for a production — advertising, films, corporate and institutional pieces. Supplied inside CEMI Media productions by MaiMusic, the group’s music initiative, and sold as part of the production rather than as a separate line. · cemi.media/music/
• Masterclass programmes — Hands-on AI video production for creative teams, and AI video strategy for media executives. Programmes are published; the price is on request. · cemi.media/masterclass/
• Media Innovation Lab participation — Three doors into the Lab: a media partner contributing to its R&D and getting first access to what it develops; a sponsor or grantmaker backing an area, a format or a named challenge; and learning programmes for presenters, journalists, producers and students. No amount is published and no partner or sponsor is committed. · cemi.media/lab/